Cena: |
Želi ovaj predmet: | 2 |
Stanje: | Polovan bez oštećenja |
Garancija: | Ne |
Isporuka: | AKS BEX City Express Pošta CC paket (Pošta) DExpress Post Express Lično preuzimanje |
Plaćanje: | Tekući račun (pre slanja) Ostalo (pre slanja) Pouzećem Lično |
Grad: |
Novi Sad, Novi Sad |
Godina izdanja: Ostalo
ISBN: Ostalo
Autor: Domaći
Oblast: Slikarstvo
Jezik: Srpski
kao na slikama
lepo očuvana monografija
jako retko u ponudi
1996
34 cm
296 str.
engleski jezik
Dimitrije Bašičević Mangelos was born on April 14, 1921 in Šid, to a family of farmers. He attended elementary school in his village, and high school in Sremska Mitrovica and Vukovar. He studied history of art and philosophy in Vienna and in Zagreb where he graduated in 1949. Till 1960 he held a post in the Yugoslav Academy of Arts and Sciences as assistant and curator of Modern Gallery and Art Archives. From 1952 he was also involved with the Gallery of Peasants’ Art (later Gallery of Primitive Art) where he was to become curator. He organized numerous exhibitions in the country and abroad, and published essays and art reviews. He did much to promote abstract art: in addition to his writing, he helped organize Salon 54 in Rijeka, the first exhibition of abstract art in Yugoslavia. In 1956 he staged Milan Sfeiner’s retrospective. He received his Ph. D. from the Zagreb Faculty of Philosophy in 1957, with a thesis on Sava Sumanović. He is a contributor to the Art Encyclopedia and the author of books on Mirko Virius (1950), Sava Sumanović (1960) and Ivan Generalić (l 962). When the Gallery of Primitive Art was founded in 1960, he was its first curator. In 1964 he resigned because of the »Bosilj case« (Ilija Bosilj, a well-known naive painter, is Bašičević’s father).
He became curator of the Benko Horvat collection and from 1971 he was head of the newly founded Centre for Film, Photography and Television. He took part in the organization of New Tendencies and was on the editors’ board of Bit and Spot magazines. He published essays on photography and organized several important exhibitions. His last texts dealt with the youngest generation of artists. Many of his writings have remained unpublished. He retired in 1982.
Bašičević began writing while still in high school; he wrote poetry and short prose texts, some of which were published after the war under a pseudonym. During the war he produced his first artworks: paysages de la mort and paysages de la guerre. In the 50s he created several series of works (tabula rasa, alphabet, paysages, nostories, graphs, negation de la peinture, pythagoras) which he was later to repeat obsessively. These works/texts in various languages and alphabets resemble neat calligraphy on writing tablets, although different materials are used: wooden boards, paper, exercise books, books, globes. Bašičević assumed the name of Mangelos which he used for his »private experiment, called noart«.
Elalia