Cena: |
Želi ovaj predmet: | 1 |
Stanje: | Polovan sa vidljivim znacima korišćenja |
Garancija: | Ne |
Isporuka: | Pošta Lično preuzimanje |
Plaćanje: | Tekući račun (pre slanja) Lično |
Grad: |
Beograd-Stari grad, Beograd-Stari grad |
Godina izdanja: Ostalo
ISBN: Ostalo
Jezik: Engleski
Oblast: Film
Autor: Strani
IZDAVAČ: British film institute, London
GODINA: 2007.
POVEZ: mek
PISMO: latinica
STRANA: 264
STANJE: čitljiva ali pohabana/deo stranica se odvaja od rikne - ocena 3-
Explores the issues of auteurship and stardom in the films of Kitano Takeshi especially as they relate to problems of personal and national identity in a Japan confronting an age of globalization. This book relates the director to issues of contemporary cinema, Japanese national identity, and globalism.
In his illuminating study of Kitano`s films, Aaron Gerow explores these issues of auteur-ship and stardom as they relate to problems of personal and national identity in a Japan confronting an age of globalism. From his early days as half of a stand-up comedy duo, Kitano has used pairs throughout his films to explore tensions between cinema and television, traditional and modern, Japan and the world. Combining a detailed account of current Japanese cinema and film criticism with unique close analyses of Kitano`s films, from Violent Cop to Takeshis`, Gerow, a renowned expert on Japanese cinema who has himself participated in the debates about Kitano in Japan, provides a nuanced account of the work of this intriguing and unpredictable film-maker.`