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Kuzma Petrov-Vodkin


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Grad: Beograd-Čukarica,
Beograd-Čukarica
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Godina izdanja: Ostalo
ISBN: Ostalo
Jezik: Engleski
Oblast: Slikarstvo
Autor: Strani

Masters of world painting
Kuzma Petrov-Vodkin


Aurora art, Leningrad 1980. godine na 70. strana, veceg formata, bogato ilustrovano.


Reprodukcije u monografiji su odvojeno stampane i postavljene u delo.



Monografija je odlicno ocuvana.



Kuzma Petrov-Vodkin was a Russian, later Soviet, painter and writer. He was first exposed to art as a child, when he took a few lessons from a local sign maker and icon painter. After secondary school, however, he wanted to join a railroad college, abandoning the artist life. He failed the entrance exams to the college, however, and instead began “Art Classes of Fedor Burov,” in his late teens. After the death of Burov two years later, Petrov-Vodkin took odd jobs painting in the city. Through his jobs and with his mother’s help, he was able to get an invitation to study in St. Petersburg, from 1895 to 1897. In art school, he later moved to Moscow and then Munich, graduating in1904.

Petrov-Vodkin often entered in open conflict with the Russian-Orthodox Church, which considered his paintings too erotic, a conflict which was discussed by Alexandre Benois, a proponent of Petrov-Vodkin’s works, and Ilya Repin, a detractor. His use of Russian religious iconography was also deemed blasphemous, and at one point the church, disapproving of the artist’s work on a chapel in Samara, destroyed his paintings. His paintings were often centered on what he considered his “spherical perspective,” which made the viewer aware of the curve of the globe. He was also an accomplished violinist.

After contracting pulmonary tuberculosis in 1927, Petrov-Vodkin was forced to quit painting. He thusly turned to writing, completing a number of works, including three semi-autobiographical novels, the first two of which are considered some of the finest Russian literature of the time. The soviet government, which was a supporter of Petrov-Vodkin’s works, disallowed the organization of any but state authorized artistic groups in 1932. One of these state supported groups was the Leningrad Union of Artists, of which Petrov-Vodkin was elected the first president in 1932.

Petrov-Vodkin’s works were largely ignored after his death of tuberculosis, until the mid-1960’s when there came a renewed interest in both his artistic and literary works. His three self-illustrated and semi-autobiographical books were republished in the 1970’s and much acclaimed.

Ako osoba nije iz Beograda, knjigu saljem postom kao preporucenu tiskovinu o trosak kupca. Slanje Post Express-om je takodje izvodljivo uz pristanak kupca na njihove uslove.Licno preuzimanje u centru uz dogovor.



Ne saljem van Srbije.



Zbog visoke cene provizije post expresa predlazem da prethodno uplatite novac na ziro racun, dok cu vam knjigu poslati post expresom kome cete platiti samo postarinu.

Postoji mogucnost smanjenja postarine, ali samo ako znate broj vase dostavne poste, U tom slucaju knjigu preuzimate direktno u posti, pa je zato jeftinije.


Predmet: 61208017
Masters of world painting
Kuzma Petrov-Vodkin


Aurora art, Leningrad 1980. godine na 70. strana, veceg formata, bogato ilustrovano.


Reprodukcije u monografiji su odvojeno stampane i postavljene u delo.



Monografija je odlicno ocuvana.



Kuzma Petrov-Vodkin was a Russian, later Soviet, painter and writer. He was first exposed to art as a child, when he took a few lessons from a local sign maker and icon painter. After secondary school, however, he wanted to join a railroad college, abandoning the artist life. He failed the entrance exams to the college, however, and instead began “Art Classes of Fedor Burov,” in his late teens. After the death of Burov two years later, Petrov-Vodkin took odd jobs painting in the city. Through his jobs and with his mother’s help, he was able to get an invitation to study in St. Petersburg, from 1895 to 1897. In art school, he later moved to Moscow and then Munich, graduating in1904.

Petrov-Vodkin often entered in open conflict with the Russian-Orthodox Church, which considered his paintings too erotic, a conflict which was discussed by Alexandre Benois, a proponent of Petrov-Vodkin’s works, and Ilya Repin, a detractor. His use of Russian religious iconography was also deemed blasphemous, and at one point the church, disapproving of the artist’s work on a chapel in Samara, destroyed his paintings. His paintings were often centered on what he considered his “spherical perspective,” which made the viewer aware of the curve of the globe. He was also an accomplished violinist.

After contracting pulmonary tuberculosis in 1927, Petrov-Vodkin was forced to quit painting. He thusly turned to writing, completing a number of works, including three semi-autobiographical novels, the first two of which are considered some of the finest Russian literature of the time. The soviet government, which was a supporter of Petrov-Vodkin’s works, disallowed the organization of any but state authorized artistic groups in 1932. One of these state supported groups was the Leningrad Union of Artists, of which Petrov-Vodkin was elected the first president in 1932.

Petrov-Vodkin’s works were largely ignored after his death of tuberculosis, until the mid-1960’s when there came a renewed interest in both his artistic and literary works. His three self-illustrated and semi-autobiographical books were republished in the 1970’s and much acclaimed.
61208017 Kuzma Petrov-Vodkin

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