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Cormac McCarthy CHILD OF GOD


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Child of God (1973) is the third novel by American author Cormac McCarthy. It depicts the life of a violent outcast and serial killer in 1960s Appalachian Tennessee.
Child of God

First edition cover
Author
Cormac McCarthy
Language
English
Genre
Gothic, philosophical, horror
Publisher
Random House
Publication date
1973
Publication place
United States
Media type
Print (hardback & paperback)
Pages
197 (paperback)
Though the novel received critical praise, it was not a financial success. Like its predecessor Outer Dark (1968), Child of God established McCarthy`s interest in using extreme isolation, perversity, and violence to represent human experience. McCarthy ignores literary conventions – for example, he does not use quotation marks – and switches between several styles of writing such as matter-of-fact descriptions, extremely detailed prose, vivid and picturesque pastoral imagery, and colloquial first-person narration (with the speaker remaining unidentified).
Plot summary
edit
Set in mountainous Sevier County, Tennessee, in the 1960s, Child of God tells the story of Lester Ballard, a dispossessed, violent man whom the narrator describes as `a child of God much like yourself perhaps`. Ballard is violently evicted from his home, which is sold at auction to another Sevier County resident, John Greer. Now homeless, Ballard begins squatting in an abandoned two-room cabin and voyeuristically spying on young couples in their cars near the Frog Mountain turnaround. Ballard is falsely accused of rape by a woman he finds sleeping along the roadside, and is jailed for nine days. Interspersed among the narrator`s story are townspeople`s accounts of Ballard`s early life, revealing his early violent behavior and the suicide of his father.
While out squirrel hunting, Ballard comes across a dead couple in an idling car. He steals the couple`s money, rapes the woman`s corpse, and stores her body in the attic of his cabin. Ballard`s cabin burns down with the corpse inside, and he moves his remaining possessions into a nearby cave. Ballard visits his friend`s home, finding only the friend`s daughter and a disabled child. When the daughter rejects his sexual advances, he kills her and sets the house ablaze, storing her body in the cave. Later, Ballard shoots a couple in their car. As he flees the scene with the woman`s corpse, he sees that the man survived and drove away. Prompted by the string of murders, the county sheriff begins investigating Ballard. The county floods, and the sheriff recalls the county`s history of vigilantism with the Whitecaps and Blue Bills.
Ballard unsuccessfully attempts to kill John Greer, the current owner of his former home, and is shot in the process. He wakes handcuffed to a guarded hospital bed. One night, a group of men appear in his hospital room demanding to know where he stored his victims` bodies. Ballard initially feigns innocence, but offers to lead the men to the bodies when they threaten to hang him. Ballard brings them to the cave, where he escapes through a crevice too small for the other men to fit through. For three days, Ballard deliriously roams the cave searching for an exit. He eventually chips through a small crack to the surface and returns himself to the hospital.
Instead of facing trial, Ballard is sent to a mental hospital where he contracts pneumonia and dies soon after. His remains are dissected by medical students in Memphis for three months before he is buried. In the spring of the same year, a farmer`s plow falls into a sinkhole in Sevier County, revealing a cavernous chamber containing the bodies of seven of Ballard`s victims.
Themes
edit
Overarching themes of the novel are cruelty, isolation, and moral degradation of humans and the role of fate and society in it. In an interview with James Franco, director of the novel`s movie adaptation, McCarthy remarked that `there are people like him [Ballard] all around us`.[1] One of the novel`s main themes is sexual deviancy, specifically necrophilia. Ballard, who the novel makes clear is unable to have conventional romantic relationships, eventually descends into necrophilia after finding a dead couple in a car. After this `first love` is destroyed in a fire, he becomes proactive, creating dead female partners by shooting them with his rifle. Ballard also makes no distinction between adult women and young girls, at one point killing a girl whom he had previously asked `How come you wear them britches? You cain`t see nothin.` Another theme examined by the novel is survival. As society pushes Ballard further and further into a corner, he degenerates into a barbaric survivalist, living in a cave, stealing food, and deviously escaping after he is captured by a group of vengeful men. Much like McCarthy`s later novel Blood Meridian, the novel explores the nature of cruelty, depicting violence as an eternal driving force of humanity:
He came up flailing and sputtering and began to thrash his way toward the line of willows that marked the submerged creek bank. He could not swim, but how would you drown him? His wrath seemed to buoy him up. Some halt in the way of things seems to work here. See him. You could say that he`s sustained by his fellow men, like you. Has peopled the shore with them calling to him. A race that gives suck to the maimed and the crazed, that wants their wrong blood in its history and will have it. But they want this man`s life. He has heard them in the night seeking him with lanterns and cries of execration. How then is he borne up? Or rather, why will not these waters take him?
This passage bears a striking resemblance to the closing pages of Blood Meridian, wherein Judge Holden declares that war is beautiful, comparing it to dance. That novel`s main text ends with the judge in the center of a barroom, rallying the raucous men around him with a performance: `He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.`

Čarls Džozef Makarti mlađi (engl. Charles Joseph McCarthy Jr.; Providens, 20. jul 1933 — Santa Fe, 13. jun 2023), poznat kao Kormak Makarti (engl. Cormac McCarthy) bio je američki književnik, dramaturg i scenarista. Njegov roman Put osvojio je Pulicerovu nagradu za fikciju 2007. godine[1].
Kormak Makarti

Makarti 1968.
Lični podaci
Puno ime
Čarls Džozef Makarti mlađi
Datum rođenja
20. jul 1933.
Mesto rođenja
Providens, Roud Ajland, SAD
Datum smrti
13. jun 2023. (89 god.)
Mesto smrti
Santa Fe, Novi Meksiko, SAD
Nagrade
Pulicerova nagrada za fikciju za roman Put
Potpis

Zvanični veb-sajt
cormacmccarthybooks.com
Roman Nema zemlje za starce koji je objavio 2005. ubrzo je dobio filmsku adaptaciju istog naslova u režiji braće Koen, koja je osvojila četiri nagrade Oskar, uključujući i Oskara za najbolji film[2]. Njegovi romani Put, Svi ti lepi konji i Child of God takođe su adaptirani u filmove[3].
Krvavi meridijan iz 1985. bio je na listi 100 najboljih knjiga na engleskom jeziku objavljenih od 1923. do 2005. časopisa Tajm. 2010. roman Put našao se na vrhu Tajmsove liste 100 najboljih knjiga u poslednjih 10 godina.
Često ga pominju kao jednog od kandidata za Nobelovu nagradu za književnost[4][5][6].
Bibliografija
uredi
Romani
uredi
The Orchard Keeper (1965)
Outer Dark (1968)
Child of God (1973)
Suttree (1979)
Krvavi Meridijan (1985)
Svi ti lepi konji (1992)
The Crossing (1994)
Cities of the Plain (1998)
Nema zemlje za starce (2005)
Put (2006)


kormak mekarti makarti

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Predmet: 78442549
odlično kao na slikama


Child of God (1973) is the third novel by American author Cormac McCarthy. It depicts the life of a violent outcast and serial killer in 1960s Appalachian Tennessee.
Child of God

First edition cover
Author
Cormac McCarthy
Language
English
Genre
Gothic, philosophical, horror
Publisher
Random House
Publication date
1973
Publication place
United States
Media type
Print (hardback & paperback)
Pages
197 (paperback)
Though the novel received critical praise, it was not a financial success. Like its predecessor Outer Dark (1968), Child of God established McCarthy`s interest in using extreme isolation, perversity, and violence to represent human experience. McCarthy ignores literary conventions – for example, he does not use quotation marks – and switches between several styles of writing such as matter-of-fact descriptions, extremely detailed prose, vivid and picturesque pastoral imagery, and colloquial first-person narration (with the speaker remaining unidentified).
Plot summary
edit
Set in mountainous Sevier County, Tennessee, in the 1960s, Child of God tells the story of Lester Ballard, a dispossessed, violent man whom the narrator describes as `a child of God much like yourself perhaps`. Ballard is violently evicted from his home, which is sold at auction to another Sevier County resident, John Greer. Now homeless, Ballard begins squatting in an abandoned two-room cabin and voyeuristically spying on young couples in their cars near the Frog Mountain turnaround. Ballard is falsely accused of rape by a woman he finds sleeping along the roadside, and is jailed for nine days. Interspersed among the narrator`s story are townspeople`s accounts of Ballard`s early life, revealing his early violent behavior and the suicide of his father.
While out squirrel hunting, Ballard comes across a dead couple in an idling car. He steals the couple`s money, rapes the woman`s corpse, and stores her body in the attic of his cabin. Ballard`s cabin burns down with the corpse inside, and he moves his remaining possessions into a nearby cave. Ballard visits his friend`s home, finding only the friend`s daughter and a disabled child. When the daughter rejects his sexual advances, he kills her and sets the house ablaze, storing her body in the cave. Later, Ballard shoots a couple in their car. As he flees the scene with the woman`s corpse, he sees that the man survived and drove away. Prompted by the string of murders, the county sheriff begins investigating Ballard. The county floods, and the sheriff recalls the county`s history of vigilantism with the Whitecaps and Blue Bills.
Ballard unsuccessfully attempts to kill John Greer, the current owner of his former home, and is shot in the process. He wakes handcuffed to a guarded hospital bed. One night, a group of men appear in his hospital room demanding to know where he stored his victims` bodies. Ballard initially feigns innocence, but offers to lead the men to the bodies when they threaten to hang him. Ballard brings them to the cave, where he escapes through a crevice too small for the other men to fit through. For three days, Ballard deliriously roams the cave searching for an exit. He eventually chips through a small crack to the surface and returns himself to the hospital.
Instead of facing trial, Ballard is sent to a mental hospital where he contracts pneumonia and dies soon after. His remains are dissected by medical students in Memphis for three months before he is buried. In the spring of the same year, a farmer`s plow falls into a sinkhole in Sevier County, revealing a cavernous chamber containing the bodies of seven of Ballard`s victims.
Themes
edit
Overarching themes of the novel are cruelty, isolation, and moral degradation of humans and the role of fate and society in it. In an interview with James Franco, director of the novel`s movie adaptation, McCarthy remarked that `there are people like him [Ballard] all around us`.[1] One of the novel`s main themes is sexual deviancy, specifically necrophilia. Ballard, who the novel makes clear is unable to have conventional romantic relationships, eventually descends into necrophilia after finding a dead couple in a car. After this `first love` is destroyed in a fire, he becomes proactive, creating dead female partners by shooting them with his rifle. Ballard also makes no distinction between adult women and young girls, at one point killing a girl whom he had previously asked `How come you wear them britches? You cain`t see nothin.` Another theme examined by the novel is survival. As society pushes Ballard further and further into a corner, he degenerates into a barbaric survivalist, living in a cave, stealing food, and deviously escaping after he is captured by a group of vengeful men. Much like McCarthy`s later novel Blood Meridian, the novel explores the nature of cruelty, depicting violence as an eternal driving force of humanity:
He came up flailing and sputtering and began to thrash his way toward the line of willows that marked the submerged creek bank. He could not swim, but how would you drown him? His wrath seemed to buoy him up. Some halt in the way of things seems to work here. See him. You could say that he`s sustained by his fellow men, like you. Has peopled the shore with them calling to him. A race that gives suck to the maimed and the crazed, that wants their wrong blood in its history and will have it. But they want this man`s life. He has heard them in the night seeking him with lanterns and cries of execration. How then is he borne up? Or rather, why will not these waters take him?
This passage bears a striking resemblance to the closing pages of Blood Meridian, wherein Judge Holden declares that war is beautiful, comparing it to dance. That novel`s main text ends with the judge in the center of a barroom, rallying the raucous men around him with a performance: `He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.`

Čarls Džozef Makarti mlađi (engl. Charles Joseph McCarthy Jr.; Providens, 20. jul 1933 — Santa Fe, 13. jun 2023), poznat kao Kormak Makarti (engl. Cormac McCarthy) bio je američki književnik, dramaturg i scenarista. Njegov roman Put osvojio je Pulicerovu nagradu za fikciju 2007. godine[1].
Kormak Makarti

Makarti 1968.
Lični podaci
Puno ime
Čarls Džozef Makarti mlađi
Datum rođenja
20. jul 1933.
Mesto rođenja
Providens, Roud Ajland, SAD
Datum smrti
13. jun 2023. (89 god.)
Mesto smrti
Santa Fe, Novi Meksiko, SAD
Nagrade
Pulicerova nagrada za fikciju za roman Put
Potpis

Zvanični veb-sajt
cormacmccarthybooks.com
Roman Nema zemlje za starce koji je objavio 2005. ubrzo je dobio filmsku adaptaciju istog naslova u režiji braće Koen, koja je osvojila četiri nagrade Oskar, uključujući i Oskara za najbolji film[2]. Njegovi romani Put, Svi ti lepi konji i Child of God takođe su adaptirani u filmove[3].
Krvavi meridijan iz 1985. bio je na listi 100 najboljih knjiga na engleskom jeziku objavljenih od 1923. do 2005. časopisa Tajm. 2010. roman Put našao se na vrhu Tajmsove liste 100 najboljih knjiga u poslednjih 10 godina.
Često ga pominju kao jednog od kandidata za Nobelovu nagradu za književnost[4][5][6].
Bibliografija
uredi
Romani
uredi
The Orchard Keeper (1965)
Outer Dark (1968)
Child of God (1973)
Suttree (1979)
Krvavi Meridijan (1985)
Svi ti lepi konji (1992)
The Crossing (1994)
Cities of the Plain (1998)
Nema zemlje za starce (2005)
Put (2006)


kormak mekarti makarti
78442549 Cormac McCarthy CHILD OF GOD

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